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Para pensar profundo: «8am in Charlotte» — Drake. Frases que se quedan en la mente y conmueven →
Drake
In God's hands (Conductor)
Be grateful
That He was there
Glory (Yeah)
I'm out here on the road
You can hear it in the voice (Glory)
Ah-em, still get this shit off, though
Look
The money speakin' for itself, I call it fortune-tell
Fire top from a bitch that work at corporate sales
Chinchilla ushanka, we skiin' out in Courchevel
Breakin' news, they tried to kill him, but the boy prevails
I leave for tour and my niggas fuckin' go to jail
Preachin' to the dogs 'bout wantin' more for themselves
It's weighin' heavy on my moral scale
Knowin' they gon' sell another citizen 'cane
They think they Orson Welles
Walk in Chanel, they like, "How the fuck you need more Chanel?"
I got these cats tuckin' tails on fourth-quarter sales
I'm used to seein' tears drop over enormous meals
The restaurant clears out, faint echoes of Lauryn Hill
I say, "We gotta talk about us," I feel like Jordan Peele
Could tell I'm gettin' under your skin like a orange peel
'Cause your words don't match your actions like a foreign film
And now it's silence in the Lamb' like the horror film
Things get quiet after me statin' the obvious
Things get kinky after fifteen years of dominance
That October sky is lookin' ominous
The money is autonomous
Shout' to Oliver North, he out in Rome doin' Toronto shit
And Jeremiah the watchdog, you niggas know what time it is
I'm in and out of Houston Hobby so much, I'm a hobbyist
Hoes waitin' on Cench in the lobby, that boy a lobbyist
Savage got a green card straight out of the consulate
Where I go, you go, brother, we Yugoslavian
Formal is the dress code, dawg, so many checks owed
I feel Czechoslovakian, nigga, what the fuck?
Nah, I'm movin' different right now, for real, like
I feel like if Mike switched out the glove for the pen, like
This shit just too enticing right now, you know?
Look
Diamonds do the silly dance, I raise up the wine glass
Metal detectors beepin' and security bypass
The numbers goin' up, someone pull up the line graph
The days are goin' by, it's like I'm livin' in time-lapse
Been talkin' to Adel like he majored in finance
Shania Twain, notepad, I'm makin' it line-dance
You tryna rob me
And it's gon' feel like you sittin' at your favorite restaurant
Cause, nigga, that's where you dyin' at
Mob ties
I swear we like a bitch with fine sisters and fine cousins
The family all bad
I'm preachin' to the dawgs about cleanin' they images
I swear I'm like a young T.D. Jakes to my menaces
Long-kiss goodnight, PDA for my nemesis
Three hunnid acres, PGA on the premises
That's what's really brackin' like this verse in parentheses
I'm givin' hits to niggas on some, don't even mention it
Like, don't even worry about it, like
You can hit me back whenever, or
Or don't, you know?
It is what it is, I guess
Yeah, hm
Look
You young boys take some of that money and set it aside
Not havin' enough to pay your tax is a federal crime
You niggas obsessed with me, and it's not on no-hetero vibe
Handle beef so quiet, you think that I'm lettin' it slide
Next thing you know, we tip-toein' past enemy lines
Diss me so long ago, we making your memories fly
Conspiracy theories start floatin' 'round like the Kennedy guy
I'll prolly hold a grudge against you guys 'til I'm seventy-five
Ayy, niggas lyin' for a livin', I couldn't relate
We all gotta lay in the bed we make, but that couldn't be Drake
You forced a lot of fake love when real ones stood in your face
That's why you got deserted by your niggas like puddin' and cake
I got you on camera bowin' down, but the footage is safe
Thank God, another USB to put in the safe
Thank God, at the crib, dippin' my foot in the lake
I swear that y'all turned me into the villain, I couldn't escape
Not sayin' I'm the best at what I do
I'm just sayin' that it's me versus whoever wanna lose
Pick any one of the Who's Whos, I got .22s for new crews
R.I.P. to the DJ from Houston, we loose screws
Helicopters, cop lights, and news crews
Niggas steady cryin' to my daddy, well, boo-hoo
You prolly heard a lot about the boy, well, true, true, haha
(In God's hands) Yeah
(Be grateful)
(That He was there)
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Compuesta por Drake · ¿Los datos están equivocados?
Enviada por Fito Salas · ¿Reportar error?
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Comparte esa frase profunda que te detuvo el mundo. Une sabiduría musical con tu propia visión en una imagen elegante.
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"8AM in Charlotte" de Drake no es una simple canción de rap; es una declaración audaz de riqueza, poder y una introspección compleja sobre las consecuencias de ambos. La canción se sitúa en un contexto sociocultural donde el éxito financiero es altamente valorado, pero conlleva una profunda soledad y un costo moral. Drake se presenta como un hombre exitoso, rodeado de lujos (Chanel, Courchevel, etc.), pero también confrontado por los problemas legales de sus allegados y por relaciones interpersonales tensas. El estilo de Drake se caracteriza por su honestidad brutal y su capacidad para entrelazar la ostentación con la vulnerabilidad, creando una imagen compleja que atrae y repele al mismo tiempo. La mención de figuras como Orson Welles o Lauryn Hill sugieren una aspiración a la trascendencia artística, y la referencia a Jordan Peele implica una consciencia de su imagen pública como un personaje controvertido. La canción no se centra en un romance específico, sino en la compleja relación entre el éxito, la lealtad, la traición, y el peso de la responsabilidad. El tono general es de una introspección melancólica, aunque teñida de orgullo y cierta satisfacción por sus logros. La vulnerabilidad que exhibe al hablar sobre la presión de mantener su imagen y las consecuencias de sus acciones, contrasta con las referencias a su riqueza y poder, creando un retrato psicológico fascinante. En última instancia, la canción trasciende la simple celebración del éxito y explora las complejidades emocionales y éticas que lo acompañan.
In God's hands (Conductor) Be grateful That He was there Glory (Yeah) I'm out here on the road You can hear it in the voice (Glory) Ah-em, still get this shit off, though Look The money speakin' for itself, I call it fortune-tell Fire top from a bitch that work at corporate sales Chinchilla ushanka, we skiin' out in Courchevel Breakin' news, they tried to kill him, but the boy prevails I leave for tour and my niggas fuckin' go to jail Preachin' to the dogs 'bout wantin' more for themselves It's weighin' heavy on my moral scale Knowin' they gon' sell another citizen 'cane They think they Orson Welles Walk in Chanel, they like, "How the fuck you need more Chanel?" I got these cats tuckin' tails on fourth-quarter sales I'm used to seein' tears drop over enormous meals The restaurant clears out, faint echoes of Lauryn Hill I say, "We gotta talk about us," I feel like Jordan Peele Could tell I'm gettin' under your skin like a orange peel 'Cause your words don't match your actions like a foreign film And now it's silence in the Lamb' like the horror film Things get quiet after me statin' the obvious Things get kinky after fifteen years of dominance That October sky is lookin' ominous The money is autonomous Shout' to Oliver North, he out in Rome doin' Toronto shit And Jeremiah the watchdog, you niggas know what time it is I'm in and out of Houston Hobby so much, I'm a hobbyist Hoes waitin' on Cench in the lobby, that boy a lobbyist Savage got a green card straight out of the consulate Where I go, you go, brother, we Yugoslavian Formal is the dress code, dawg, so many checks owed I feel Czechoslovakian, nigga, what the fuck? Nah, I'm movin' different right now, for real, like I feel like if Mike switched out the glove for the pen, like This shit just too enticing right now, you know? Look Diamonds do the silly dance, I raise up the wine glass Metal detectors beepin' and security bypass The numbers goin' up, someone pull up the line graph The days are goin' by, it's like I'm livin' in time-lapse Been talkin' to Adel like he majored in finance Shania Twain, notepad, I'm makin' it line-dance You tryna rob me And it's gon' feel like you sittin' at your favorite restaurant Cause, nigga, that's where you dyin' at Mob ties I swear we like a bitch with fine sisters and fine cousins The family all bad I'm preachin' to the dawgs about cleanin' they images I swear I'm like a young T.D. Jakes to my menaces Long-kiss goodnight, PDA for my nemesis Three hunnid acres, PGA on the premises That's what's really brackin' like this verse in parentheses I'm givin' hits to niggas on some, don't even mention it Like, don't even worry about it, like You can hit me back whenever, or Or don't, you know? It is what it is, I guess Yeah, hm Look You young boys take some of that money and set it aside Not havin' enough to pay your tax is a federal crime You niggas obsessed with me, and it's not on no-hetero vibe Handle beef so quiet, you think that I'm lettin' it slide Next thing you know, we tip-toein' past enemy lines Diss me so long ago, we making your memories fly Conspiracy theories start floatin' 'round like the Kennedy guy I'll prolly hold a grudge against you guys 'til I'm seventy-five Ayy, niggas lyin' for a livin', I couldn't relate We all gotta lay in the bed we make, but that couldn't be Drake You forced a lot of fake love when real ones stood in your face That's why you got deserted by your niggas like puddin' and cake I got you on camera bowin' down, but the footage is safe Thank God, another USB to put in the safe Thank God, at the crib, dippin' my foot in the lake I swear that y'all turned me into the villain, I couldn't escape Not sayin' I'm the best at what I do I'm just sayin' that it's me versus whoever wanna lose Pick any one of the Who's Whos, I got .22s for new crews R.I.P. to the DJ from Houston, we loose screws Helicopters, cop lights, and news crews Niggas steady cryin' to my daddy, well, boo-hoo You prolly heard a lot about the boy, well, true, true, haha (In God's hands) Yeah (Be grateful) (That He was there)
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